Nano progress

What do maps, water sprites, miners’ tokens, flamestones and the tides between worlds have in common?

You don’t know? Well, that makes two of us. But I think they’re important – even connected – in my story. I just have to figure out how.

They’re what Holly Lisle calls “muse bombs” in her How to Think Sideways course: those little details that fall on to the page direct from the subconscious. You didn’t intend to put them in your story, they just appear, and then they catch your attention and insist on meaning something, making the story richer in the process than you consciously planned.

I’m having a lot of fun, though still regularly stricken by those panicked “but what comes next??” moments (just about every time I have to start a new scene, in fact). I realised today that I have about 6,000 more words written than I did this time last year, which pleases me. Still slightly ahead of the game at just over 31,000 words today. Once you make it into the 30,000s you start to feel you’ve broken the back of it, though in fact I know that story-wise I’m only about a quarter of the way through.

So I’ll end up having to do what I did last year, and write the end of the book as scene outlines instead of fully fleshed scenes. Chris Baty, the founder of Nano, recommends this approach, saying that it’s easier to come back later and fill out notes than have to dream up what happens next once you’ve lost touch with the characters and the narrative impetus. It certainly sounded logical to me and I was close enough to the end at 50,000 words last year that there were only about half a dozen scenes to outline.

The funny thing was that, by the time I got back to the novel to finish the first draft, I took one look at the notes I’d written and thought, “well, that’s not going to work!” and chucked it all. So it’s true what they say: you should put your manuscript away for a few months after you finish it and come back to it later with fresh eyes. You can view it a lot more objectively that way. I’ll be going back to that revision when I finish the current Nano project. Hopefully I don’t see by then that the whole thing needs to go!

Drama Duck’s caught the Nano bug and is trying to work out how she can do it too next year. Even Baby Duck is into novelling at the moment. His latest magnum opus is entitled Chickens From Space. He draws the pictures, we staple them together, then he dictates the text to me. In a world first, I give you a thrilling excerpt from this literary masterpiece:

Flapsy [one of the space chickens] laid an egg. POP! Out of the egg came a little chicken head and Stretchy [name-obsessed space chicken] asked what his name was too.

The chicken replied, “Bork!”

Stretchy said to Flapsy, “Is that his name? ‘Bork’?”

Flapsy said, “No, his name is John.”

Deathless prose! And he’s only five. Just think what he’ll be doing in another twenty years. Look out, Christopher Paolini!

Good luck to all the other Nanoers out there. Only thirteen more days till you can have your life back!

You know you’re doing Nano when …

1. … you’re at school listening to your child’s classmates read and you can hardly concentrate because one of the characters in the book is called “Great Aunt Desdemona” and all you can think is hey, that’d be great for Nano – that’s three whole words every time you mention the character’s name.

2. … you hardly hear the kids’ chatter on the way home from school because you left your heroine literally hanging off a cliff with a venom-spitting dragon just above her head and you need to get home and save her.

3. … your husband wanders past about 5:30, sees you still pounding away on the keyboard and says “So, I guess it’s takeaway again tonight?”

This last was a base and unjust accusation, I might add. In fact I made him his favourite dinner tonight, just to prove I can do Domestic Goddess and Creative Genius simultaneously.

Not that I’m getting cocky. As usual, I no sooner started crowing about how well the words were flowing the other day than it all came unstuck. I struggled through a couple of horrible days where getting the words to come at all was like pulling teeth. Yesterday I decided to have a life. Nice day, but unproductive wordcount-wise.

It was about this time last year that things got ugly. The first enthusiasm peters out and you’re left staring down the barrel of this huge dog’s breakfast, full of half-baked ideas and mind-numbing dialogue (and hideous mixed metaphors like that one). I wrote very little a couple of days, and even missed altogether on another couple, and before I knew it 50,000 words was receding into the distance faster than you could say “holy diabolical plot twist, Batman”.

So this year I’ve resolved not to miss any days, even if I only write a little. Now I’m closing in on 20,000, which is a good feeling. Finished on 19,390 today – before dinner even! So I get to watch a DVD and relax tonight, for the first time since October. And no, it won’t be Harry and the Honey. I’ll be laughing my head off at Pierce Brosnan all over again in the wonderful Mamma Mia.

One of my Nano buddies, the fleet-fingered Jaye Patrick, has already passed 50,000. Last Friday, in fact, which is a truly astonishing effort. It’s so far beyond my abilities I can’t even be jealous. I’m just awed. She’s now streaking off into the distance, and will probably arrive at the finish line with around 200,000 words under her belt.

I definitely need to find some one-fingered typists to buddy up with next year.

Emergency: Send more chocolate!

That munching sound you hear? That’s the sound of my brain being eaten alive by the Nanomonster living inside my skull.

Ye gods! Send more chocolate. I don’t know if I can keep this up. I’ve been writing with a splitting headache all afternoon. It wasn’t until I’d nearly finished that I realised I’d been writing all about my heroine’s splitting headache. Is it just me, or is that a bit Twilight Zone? Is art imitating life or vice versa? I’d better be careful I don’t make her pregnant or something. Maybe she should win the lottery?

My brain is in total meltdown. This novel-writing caper is taking up all the room in my head. You wouldn’t believe what I did tonight.

I was making a cheese sauce. Usual procedure: melt butter in microwave, add flour, mix, add milk and microwave till sauce thickens then add cheese. Easy. So I get a full tub of butter out of the fridge, scoop a bit into the microwave jug and put the jug in the microwave for a minute on high. Only when the microwave beeps and I go to remove the jug, I discover that the jug’s still sitting on the bench. It’s the brand-new tub of butter that’s just turned to goop in the microwave.

Someone please remind me why I thought doing Nano again would be a good idea?!

My head feels like the tardis – bigger on the inside than the outside. The pressure of all those words in there fighting to get out is killing me. Or maybe it’s just the headache. I’m too stuffed to be able to tell. I’ve done 11,000-odd words in the last five days, which is a new record for me. Sadly most of it is probably crap. I know at least half what I wrote today was. It was even boring me to write it, so I don’t think I’ll be letting anyone read it any time soon. Fortunately for my sanity I eventually wrote my way through this suckfest and once or twice even achieved a zen-like state where words seemed to tumble out almost, well – easily. And they were good.

Maybe that’s why I wanted to do it.

5057

That’s how many words I’ve written on my Nano novel this weekend. Not a bad start, though as usual it took me much longer than I would like, plus a fair bit of snarling at children to go away and leave me alone. I wish I could write faster. I suspect if I were better prepared it might not take as long. A distressing amount of time is spent staring into space wondering what on earth is going to happen next.

There’s also the issue of the computer I am using this year. I love my computer. It has many wonderful features, including a large monitor, a lovely soft keyboard, lots of memory, cordless mouse and an internet connection. Its bad points are that it is located in the family room and it has an internet connection. Last year I was mainly working on an old machine with a clunky keyboard, tucked away downstairs – and no internet connection. Amazing how much easier it was to concentrate when the internet was not available as a distraction.

Still, I am such a master of the noble art of procrastination I’m sure I could come up with something even without the internet. Yesterday was comical. It took all the self-discipline I possess (yes, all two drops) to sit down at the computer and start. “But it’s so big and scary!” said my inner panicker. “50,000 words. I can’t do it! And there’s so many other things I could be doing. How about scrubbing the shower recess with a toothbrush instead? That should kill a few hours.”

It took me over an hour, but after making cups of tea, getting (and drinking) several glasses of water, visiting the bathroom because of all the water, finding my favourite pen (because, you know, when you’re typing your novel on a computer you really need a pen), gathering all my notes, rereading them, re-rereading them in case I missed something the first time that was so crucial to the (as-yet-miniscule) plot that I couldn’t possibly start without it – after all that, I managed to get started.

So far so good. How is everybody else going?

Plotless and panicking

Well, not entirely plotless. But definitely panicking. Nano starts in three days and I don’t feel at all ready. In fact I have more of an idea than I did last year, and that turned out all right, so I suppose I should have a little faith. I know perfectly well that panic and deadlines are powerful motivators for me.

Cool ideas keep occurring to me, but they’re more of a worldbuilding nature when what I need is actual plot details. When I sit down to write on Saturday, knowing all about the political situation or what magic users can and can’t do is not going to help me get words on paper. What are my characters actually going to do? I have an initial situation but no real idea of what happens after that. I hated that last year – desperate brainstorming squeezed into every spare moment so I would have something to write the next day. I got a reasonably coherent plot out of it, so it worked, but man, it was painful. I fondly imagined that I would be better prepared this year and avoid the mad scramble but it’s not looking good. Some serious rabbit-pulling-out-of-hat required.

The other thing that’s making me nervous is that I foolishly agreed to go away for the weekend with some girlfriends. When we planned it Nano never even crossed my mind. Now I’m going to have to be antisocial and lock myself in my room with my laptop for a couple of hours each day or risk falling so far behind I’ll never catch up. I missed two days last year (though not consecutive) and it nearly killed me trying to make up for them. Yet I don’t want to miss any of the fun with the girls either. I know, can’t have my cake and eat it too – but I wish I’d had my brain switched on when we were planning. “No, no, I can’t possibly do November 1st and 2nd. I’ll be busy creating world’s greatest fantasy novel that weekend.”

And speaking of creating: there’s good news and bad news. The bad news is that I didn’t make my goal of writing one short story a week these last four weeks. The good news is that I did get two done, which is two more than I would have otherwise, so I’m reasonably happy. Though one is pretty crapulent. Not sure if I can save it, but I’ll perform first aid when Nano’s over. Still, it was a useful exercise and definitely worth repeating. Even if you miss, having something to aim for makes you more productive.

Better get back to that novel planning. I’ve got a lot of panicking to fit into the next three days.

Keeping secrets

Some women keep secrets from their husbands. Big ones, like lovers or the truth about the kids’ paternity. Small ones, like shoes or bags paid for in cash so they don’t appear on the credit card statement.

I’m not much of a secret keeper. I enjoy talking to him too much, I guess. But it occurred to me today that there may be a couple of writing-related things that, while not secret per se, I may not have quite got around to mentioning yet.

The first is Nanowrimo. I foresee much eye-rolling when I break the news that his wife is disappearing for the month of November again. I wish I was one of those people who can power through the necessary wordcount in an hour or so but, sadly, it takes me more like three hours a day to keep up. Takeaway dinners, here we come.

The other revolves around what I’m working on for the rest of October. What I’m supposed to be working on is the second draft of my novel. What I’m actually working on is a series of short stories. Inspired by Jay Lake, among others, I’ve made a pact with myself to write one short story a week this month – just to see if I can do it. Heaven knows, I need to up my output if I’m ever going to get anywhere, and a few more pieces to start getting out there and submitting would come in handy.

But I know what he’ll say. “Why don’t you just finish one thing before you start something else?” And it’s a reasonable question. “Because I have the attention span of a cardboard box” is not the best anwer. Nor is “because these ideas are New! Shiny! I love shiny!”. I know I’m the queen of unfinished projects, but I promise I will get back to the revision. Eventually. I just have this Nano novel to plan first …

Guess what?!

Okay, don’t strain yourselves, you’ll never guess. Besides, I’m dying to tell you.

Got an email today with the news every aspiring writer wants to hear:

“We are happy to advise you that your story ‘Pre-Dinner Drinks’ has been selected for publication in ZineWest 2008 and is eligible for the competition prizes.”

I’m going to be in print! Admittedly, only in a small regional magazine, and payment is a free copy, but still. My first published story. Thirty-two entries were chosen for publication from 108, and all those are now eligible for the grand prize of $400.

I have no expectation of winning that. In fact, I was sure they wouldn’t take the story. After I’d submitted it I showed it to my writing group, and they convinced me it was unfinished. So I dreamed up a new ending and was just waiting for the rejection before I revised it and submitted elsewhere. It’s funny how these things work out, isn’t it? I think the writing group was right, but somebody else thought the story was good enough as it stood. I guess it shows you shouldn’t try to secondguess these things. Some people will like your work and some people won’t, and you’ll never know which is which till you send it out.

I tell you what, though, there’s nothing like an acceptance to give you a confidence boost! Look out, world. This is but the first step in my fiendish plan. Today, ZineWest. Tomorrow, NYT bestseller list.

No harm in dreaming, is there?

On your marks …

The Nanowrimo site has been cleaned out, all sparkling and ready for this year’s extravaganza. I feel excited already and it’s still only September.

If you haven’t heard of Nano, it stands for National Novel Writing Month. If you join in you agree to start a new novel on November 1st and “complete” it by November 30th. To be complete it must have a beginning, middle and end, though not necessarily fully fleshed out, and must be at least 50,000 words. If you make it you’re a winner, though the thrill of accomplishment is the only prize.

The website has lots of tips and a great forum where you can find encouragement and inspiration (or someone to commiserate with when things aren’t going well). Pep talks from famous authors are emailed every week. You can also find writing buddies to compare wordcounts with and egg each other on.

Last year was my first attempt. I was about 98% certain that I wouldn’t make it, yet I managed it. I was so pleased with myself I took a photo of my screen, showing the wordcount over 50,000. I know, I’m tragic.

My only regret last year was that I didn’t write a fantasy novel. I had this “real world” idea that just wouldn’t go away and, since I never really expected to make it, I thought I’d just spend the month on it and get it out of my system. That would be the novel that I’m still revising, so that plan didn’t quite work out.

So this year it’s all-singing, all-dancing fantasy all the way. Magic – yes! People turned into animals – yes! Fairies and dragons and warriors with bad attitudes – yes! Quests with no toilet stops – yes, yes, yes!!! In short, all the great cliches of fantasy. I can hardly wait.

I’ve started planning my novel already (who said I couldn’t learn from my mistakes?). Haven’t broken it yet to the other half that I’m doing it again. He was very supportive last year – even made the ultimate sacrifice and took the kids to a teenage mutant ninja turtles movie while we were on a weekend away so I could have time to write. I think he will be quietly horrified to find that he has to live through it all again this year.

Anybody else planning to take it on?

Are we there yet?

The ducklings have a fabulous picture book called Are We There Yet? by Alison Lester, about a family that goes on a road trip around Australia. It’s one of those rare books that manages to be beautiful and a lot of fun as well as educational. Every second page, after lots of detailed illustrations and interesting info about the family’s current stop, the refrain goes: “And Billy said, ‘Are we there yet?’”

Anyone with kids is all too familiar with that particular chorus. I’m starting to feel like Billy myself as I work through this revision. Are we there yet?

The problem is that I’m having to put a lot of new material into the first part of the novel. This is a good thing, since it needed it, but also a bad thing because it makes me feel that I’m not making any progress. I’m writing and writing and writing yet I never move on through the pages of the first draft cause I keep thinking up more stuff that I need to add before I can continue.

The other problem is that I’ve had to redo some of these new scenes because I don’t think sufficiently about them before I write them. Just when I think they’re done and I can move on, some humiliatingly obvious thing occurs to me and I think, well der! why didn’t you write it like that instead? So back on the little mousey wheel I go, running and a-running. Are we there yet?

Jen Hubbard had a great post a couple of weeks ago on the stages of writing. Some of the stages of rewriting had me laughing even as I winced, like “Oh, that’s perfect! No, wait, it doesn’t fit”. Or “We’re on the right track now! We’re off the right track. We are in the fields beyond the track.”

When you read a good book, one thing flows from another in such a way that it seems inevitable. Yes, of course that character did X when Y happened. Naturally they broke up at the end – it was the only possible outcome after what happened at the party. And so on. Everything fits together so well it looks easy. I guess I never really believed it truly was easy, but I’m discovering exactly how hard it is now, and I’m here to tell you it ain’t pretty. Think jelly wrestling with crocodiles.

If I want to produce that seamless inevitability, I’ve got to do some more planning, sit down and really pinpoint what the focus of each scene is. Otherwise I’ll be re-re-re-re-re-rewriting these suckers till I go grey. Oh, wait, that already happened. Well, till I become that demented woman yelling at her computer, “Are we there YET???”

Once upon a time — you were saying?

I posted a while ago about beginnings and how important it is to hook the reader right from the start. I said that “Once upon a time” just didn’t cut it any more.

Would you believe I’ve found the most brilliant beginning – and it starts with “Once upon a time”? Just goes to show that if you’re good you can make anything work. And also that I have no idea what I’m talking about – not that that comes as a great surprise!

It’s from Back When We Were Grownups by Anne Tyler. I read her Digging to America when it came out (a couple of years ago?) and was awed by her skill. I went looking for another, but didn’t like it as much. Last week I picked up Back When We Were Grownups while browsing the secondhand bookshop and I’m back to awe again. She is a master of understatement. Her characters are brilliant; so real, so ordinary but so engrossing. Yet they are brought to life so obliquely. She could have written the textbook on “show, don’t tell”. It made me realise how much I have to learn.

It was a quiet little story, like the others of hers I’ve read. Everyday, domestic problems – but do you think I could put it down? The first line sucked me in and I was gone.

“Once upon a time, there was a woman who discovered she had turned into the wrong person.”

How cool is that? I want to be Anne Tyler when I grow up.